2 40 1757 http://www.emmabandrews.org/project/files/original/d90520ea4d6bcaad97f4d6185969c9ae.png 122b85d35a6575fe62558710afb33b7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Tuck (1842-1938) Source A related resource from which the described resource is derived New Hampshire Historical Society, gift of Miriam Gardner Dunnan Description An account of the resource Edward Tuck, photographed by Walery, Paris, c. 1890. http://www.emmabandrews.org/project/files/original/3ba457151620cc66f99b1fe6175b1652.png 7a9063fb621c61cc730165c8a1c5ec2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual TEI tag for a person, this is lastname_firstname Tuck_Edward Birth Date format - 1882-12-13 August 24 1842 Death Date format - 1882-12-13 April 30 1938 Occupation Philanthropist, international banker Biographical Text Tuck was appointed Vice Consul to Paris by President Lincoln in 1863, and was so taken with the country that in 1866 accepted an appointment with a New York firm of international bankers, making frequent trips to France. He retired after a brief but profitable career in 1881 and established permanent residence in Paris in 1889 at the age of 47. He and his wife Julia lived at 82, Avenue des Champs-Élysées. By 1910 his fortune was enormous, and he gave away millions of dollars to his alma mater, Dartmouth College. He married the former Julia Snell in 1872, and they made their home in Paris, and in Vert Mont, a country villa outside the city. They also had a winter residence in Monte Carlo. His life was characterized by his generous philanthropic and charitable spirit. Birthplace Exeter, New Hampshire Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuck, Mr. Edward Source A related resource from which the described resource is derived "He Gave Away Millions" accessed May 27th 2015 http://www.hampton.lib.nh.us/hampton/biog/edwardtuckofexeter.htm Andrews, Emma B. Journal on the Bedawin, Volume 19 : 1912-1913. Andrews, Emma B. Journal on the Bedawin, Volume 12 : 1904-1905. Type The nature or genre of the resource Biography Volume 12 1904-1905 Volume 19 1912-1913 http://www.emmabandrews.org/project/files/original/4a8b743aea029795f5b66a0c46dfb761.jpg 1e7dfe0d66d870faf29cbb6f1f4edc0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 December 22nd 1790 Birthplace France Death Date format - 1882-12-13 March 4th 1832 Occupation Scholar, Egyptologist, Philologist Biographical Text Champollion studied ancient languages at the Académie de Grenoble and the Collège de France before becoming the director of the Egyptian Museum at the Louvre in Paris. He is well known for his study of Egyptian hieroglyphics and discovering similarities between texts written in hieroglyphs and other ancient scripts. At the time of his death, he was working on an Egyptian dictionary. Bibliography List publications WRITTEN by the individual first. List publications ABOUT the individual after those WRITTEN by him/her. For example: Ayrton, E. The XIth Dynasty Temple at Deir el-Bahari Ayrton, E. The Pre-Dynastic Cemetery at El Mahasna Hall, H.R. "Edward Ayrton,", London: Egypt Exploration Society, 1915, accessed May 29th 2015, print Dawson, Warren R. Who Was Who in Egyptology, 1972. Print Champollion, M le jeune (1822). Lettre à M. Dacier relative à l'alphabet des hiéroglyphes phonétiques. Paris. Champollion, M le jeune (1824). Précis du système hiéroglyphique des anciens Égyptiens. TEI tag for a person, this is lastname_firstname Champollion_Jean_Francois Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Champollion, Jean-Francois Source A related resource from which the described resource is derived "Jean-François Champollion (1790 - 1832)," BBC.com, accessed May 5th 2015, http://www.bbc.co.uk/history/historic_figures/champollion_jean.shtml Andrews, Emma B. Journal on the Bedawin, Volume 1 : 1889-1890. Type The nature or genre of the resource Biography January 11th 1890 Volume 1 1889-1890 http://www.emmabandrews.org/project/files/original/30e501e2f9b5d93174c48c4d673f66be.png 597207a22b800f0f4422fd8a179ab92c http://www.emmabandrews.org/project/files/original/1aac6639918c8c7e2dd0d156ae0b4b59.jpg 595da334780936933111d762f2341f84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 1829 Birthplace Italy Death Date format - 1882-12-13 1914 Occupation Jeweller, Jewelry designer Biographical Text Augusto Castellani was born into a family of Italian jewelers renowned for creating jewelry based off medieval and ancient pieces. Notable Family Members Family members of historical significance. Fortunato Pio Castellani (1793-1865) father, jeweler. Alessandro Castellani (1824-1883) elder brother, jeweler. TEI tag for a person, this is lastname_firstname Castellani_Augusto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Castellani, Augusto Source A related resource from which the described resource is derived "Alessandro Castellani," Victoria and Albert Museum, accessed May 5th 2015, http://www.vam.ac.uk/content/articles/a/alessandro-castellani/ "Collezioni Castellani", Museo Nazionale Etrusco di Villa Guilia http://villagiulia.beniculturali.it/index.php?it/115/collezione-castellani, accessed May 22nd 2015. Andrews, Emma B.Journal on the Bedawin, Volume 1 : 1889-1890. Type The nature or genre of the resource Biography March 24th 1890 Volume 1 1889-1890 http://www.emmabandrews.org/project/files/original/74ca5589a3e993f088e15e44a1408c00.jpg 2093ab7817fe3c344654f21557c81fcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 March 14, 1844 Birthplace Turin, Italy Death Date format - 1882-12-13 July 29, 1900 Occupation King of Italy Biographical Text Umberto I ruled Italy from 1878 until his assassination in Naples in 1900. He is remembered for entering into the Triple Alliance with Austria-Hungary and Germany in 1882, an alliance that was re-instigated in WWI. Umberto expanded Italian colonialism on the African continent, establishing Italian presence in Somalia and Eritrea. TEI tag for a person, this is lastname_firstname Umberto_King_of_Italy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Umberto, King of Italy Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 1 : 1889-1890. Type The nature or genre of the resource Biography March 23 1890 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 25th October 1830 Birthplace England Death Date format - 1882-12-13 23rd May 1892 Occupation English clergyman, collector, author of archaeological articles Biographical Text In Volume 3 of her diaries, Emma describes Mr. Chester as a man who had been wintering in Egypt for the past 20 years and knew a great deal about the area. He also accompanied the travel party for some time in 1890 (volume 1), offering advice on the purchase of antiquities and commentary on dealing with customs houses. An Oxford-educated clergyman, Chester retired from the cloth for health reasons in 1865 and began his travels. His frequent visits to Egypt and the Near East and tenacious bargaining skills led him to collect antiquities and papyri which he gave to the Ashmolean and Fitzwilliam Museums, amongst others. He published articles on Coptic Churches in Egypt, as well as rock drawings and epigraphy. His most important work was the Catalogue of the Egyptian Antiquities in the Ashmolean Museum, which Petrie greatly admired. Bibliography List publications WRITTEN by the individual first. List publications ABOUT the individual after those WRITTEN by him/her. For example: Ayrton, E. The XIth Dynasty Temple at Deir el-Bahari Ayrton, E. The Pre-Dynastic Cemetery at El Mahasna Hall, H.R. "Edward Ayrton,", London: Egypt Exploration Society, 1915, accessed May 29th 2015, print Dawson, Warren R. Who Was Who in Egyptology, 1972. Print Chester, G. J. (1855). A Brief Account of the Painted Glass in Wells Cathedral. Somerset Journal of the Archaeological and Natural History Society: 125–130. Chester, G. J. (1856). Poems. London: Bell & Daldy. Chester, G. J. (1869). Transatlantic Sketches in the West Indies, South America, Canada and the United States. London: Smith Elder & Co. Chester, G. J. (1880). A Journey to Biblical Sites in Lower Egypt, in PEFQS: 133–158. London: Palestine Exploration Fund. Chester, G. J. (1881a). Catalogue of the Egyptian Antiquities in the Ashmolean Museum. Oxford: Parker & Co. Chester, G. J. (1881b). Notes on the Present and Future of the Archaeological Collections of the University of Oxford. Oxford UK: Shrimpton & Son, London Simpkin Marshall & Co. Chester, G. J. (1883). Ella Cuthulin and Other Poems, Old and New. London: M. Ward & Co. TEI tag for a person, this is lastname_firstname Chester_Mr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chester, Mr. Source A related resource from which the described resource is derived http://www.fitzmuseum.cam.ac.uk/dept/ant/egypt/collectionhistory/chester.html Dawson, W. and Uphill, E. (1995). Who Was Who in Egyptology. Third Edition, revised by Bierbrier, M.L., Egyptian Exploration Society, London. Seidmann, Gertrud (2006). The Rev. Greville John Chester and ‘The Ashmolean Museum as a Home for Archaeology in Oxford’. Bulletin of the History of Archaeology, vol 16, issue 1 Andrews, Emma B.Journal on the Bedawin, Volume 1 : 1889-1890. Andrews, Emma B.Journal on the Bedawin, Volume 3 : 1894-1895. Type The nature or genre of the resource Biography February 16th 1890 February 19th 1890 February 20th 1890 February 4th 1890 January 13th 1895 Volume 1 1889-1890 Volume 3 1894-1895 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 unknown Birthplace unknown Death Date format - 1882-12-13 unknown Occupation unknown Biographical Text Miss Clarke visited Egypt in 1890 and met with Emma B. Andrews and her travel companions. TEI tag for a person, this is lastname_firstname Clarke_Miss Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarke, Miss Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 1 : 1889-1890. Type The nature or genre of the resource Biography Assouan January 18th 1890 Volume 1 1889-1890 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 unknown Birthplace unknown Death Date format - 1882-12-13 unknown Occupation unknown Biographical Text Miss Harrison visited Egypt in 1890 and met with Emma and her traveling companions. TEI tag for a person, this is lastname_firstname Harrison_Miss Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harrison, Miss Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 1 : 1889-1890. Type The nature or genre of the resource Biography Assouan January 18th 1890 Volume 1 1889-1890 http://www.emmabandrews.org/project/files/original/a500301ce19449269241ff2d5c2891c9.jpg f5b49aa858d02f4c52bbcdccd212a888 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grenfell, Bernard Pyne Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 December 16th 1869 Birthplace Birmingham, England Death Date format - 1882-12-13 May 18th 1926 Occupation Scientist, Egyptologist, Professor Biographical Text Born into a family of academics, Bernard Grenfell followed in the footsteps of his parents and studied antiquities. He traveled to Egypt in 1895 under the Egyptian Exploration Fund and excavated areas with fellow scholar Arthur Hunt. During these excavations the men discovered the Oxyrhynchus Papyri, and other important documents. He was appointed Professor of Papyrology at Oxford upon his return, but suffered from a series of mental breakdowns that ultimately led to his commitment to a sanitarium until his death. Bibliography List publications WRITTEN by the individual first. List publications ABOUT the individual after those WRITTEN by him/her. For example: Ayrton, E. The XIth Dynasty Temple at Deir el-Bahari Ayrton, E. The Pre-Dynastic Cemetery at El Mahasna Hall, H.R. "Edward Ayrton,", London: Egypt Exploration Society, 1915, accessed May 29th 2015, print Dawson, Warren R. Who Was Who in Egyptology, 1972. Print Grenfell, Bernard P. and Arthur S. Hunt (1898). Oxyrhynchus Papyri. London: Egypt Exploration Fund. Notable Family Members Family members of historical significance. Father: John Granville Grenfell, scholar and assistant and the British Museum. Mother: Alice Pyne Grenfell, scholar. TEI tag for a person, this is lastname_firstname Grenfell_Bernard_Pyne Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grenfell, Bernard Pyne Source A related resource from which the described resource is derived "Biography of Bernard Pyne Grenfell," Grenfell Family History, accessed May 8th 2015, http://www.grenfellhistory.co.uk/biographies/bernard_pyne_grenfell.php Andrews, Emma B.Journal on the Bedawin, Volume 12 : 1904-1905. Andrews, Emma B.Journal on the Bedawin, Volume 11 : 1903-1904. Andrews, Emma B.Journal on the Bedawin, Volume 14 : 1906-1907. Type The nature or genre of the resource Biography Cairo November 27th 1906 November 29th 1903 November 29th 1906 Shepheards Hotel Volume 11 1903-1904 Volume 14 1906-1907 http://www.emmabandrews.org/project/files/original/f18a90f047c55bdd1fcd17f62301fa86.jpg 6788d6b835f5a7f93c636523231b2258 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 1854 Birthplace the Netherlands Death Date format - 1882-12-13 1918 TEI tag for a person, this is lastname_firstname Insinger_Jan_Herman Occupation Local money lender (in Luxor), middle man in antique dealings, and well to-do explorer/collector. His most famous contribution to archaeologic collections was the Insinger Papyrus, the primary manuscript for a significant Late period Demotic Wisdom text. He purchased it in 1895 for the Rijksmuseum in Leiden, the Netherlands. Biographical Text He was born to a well-off banking family, and was sent in 1879 to Egypt for health reasons. In Egypt, he rented a dahabeeya and travelled along the Nile for a number of years, spending the summers in Cairo or Alexandria, and traveling south for the winters. He first explored the country by boating expedition, and then settled in Luxor in his own dahabeeya, the "Meermin" (Mermaid) in 1884. In 1888 he began constructing a house in Luxor. The official name of the house, "Palmenburg", references his family's summerhouse, "Pijnenburg" in Baarn, the Netherlands. The house in Luxor was often referred to as a castle because of its size and grandeur. Emma refers to it as "The Castle" in her diary. The Castle is located on the East Bank of the Nile, between what is currently Club Med and Iberotel. Notable Family Members Family members of historical significance. Mariam Mansour Hanna Daraoun - Wife (1881-1918) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Insinger, Jan Herman Source A related resource from which the described resource is derived Demaree, R.J, Ph.D., "Insinger House: Dutch Castle on the Nile." t3.wy Foundation for Historical Research in Egyptology. Web. 10 Jan. 2016, http://www.t3wy.nl/insinger-house-in-luxor/ van de Beek, Nicky. "J.H Insinger: A Dutchman in Egypt." nickyvandebeek.com. Wordpress, 24 May. 2014. Web. 10 Jan. 2016, http://nickyvandebeek.com/2014/05/insinger/ "Insinger Papyrus." Oxford Reference. Oxford University Press, 2005. Web. 10 Jan. 2016, http://www.oxfordreference.com/view/10.1093/acref/9780195102345.001.0001/acref-9780195102345-e-0340 Type The nature or genre of the resource Biography http://www.emmabandrews.org/project/files/original/1ac3ee17f893905fa14f3e0fc9989cce.jpeg 6e0625bd47ba0fe55334713025c54055 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emmapedia Subject The topic of the resource Biographical information pertaining to individuals recorded by Emma B. Andrews in her journals Creator An entity primarily responsible for making the resource Sarah Ketchley Contributor An entity responsible for making contributions to the resource Sarah Johnson, Chelsea Cooper, Claire Summa, Aly Brady Person An Individual Birth Date format - 1882-12-13 1829 Birthplace Naples, Italy Death Date format - 1882-12-13 September 12, 1915 Occupation Italian stateswoman and mistress of cultural hub Biographical Text Donna Laura was born as Laura Acton, and descended from Sir John Acton, a well-known Prime Minister of the two Sicilies. She was a lively child, and entered a Neopolitan nun convent at twelve years old. As a teenager she traveled in many circles and made friends that included royalty and future artistic scholars. At 18 years old, Laura married Domenico Beccadelli di Bologna, and entered high society life between Palermo and Naples. After 16 years of marriage, Laura became a widow in 1863. One year later she married the 46-year-old statesman Marco Minghetti. He resigned from prime ministership a few weeks later, after the September Convention (a treaty between France and Italy signed on September 15, 1864 under which Napoleon III withdrew all French troops from Rome within two years). In 1871, the Minghetti's moved to Rome, and Donna Laura's famous salon was put in place at piazza Paganica. Her salon was called the "most popular in Rome" by Ferdinand Gregorovius, a German historian (Seybold). Donna Laura's charm, accomplishments, charisma, and flirtatious disposition allowed her to collect a cohort of high society members that would gather in her salon. Lillie de Hegermann-Lindencrone, a trained singer and diplomat's wife, stated that "Rome flocks there to hear music and to admire the artistic manner in which the rooms are arranged; flirtations are rife in the twilit corners, in which the salon abounds. As Madame Minghetti is very musical and appreciative, all the people one meets there pretend to be musical and appreciative, and do not talk or flirt during the music" (Seybold). In 1886, Marco Minghetti died, leaving Donna Laura Minghetti a widow for the second time. Morelli was Marco's most intimate friend, and performed the closing of Minghetti's eyes. Donna Laura was then supported by Francesco Brioschi, a family friend. When Morelli died in 1891, she inherited the 'Donna Laura Minghetti Leonardo.' In 1898, the work was sold to the American millionaire turned archaeological excavator / art collector, Theodore Davis, as an authentic Leonardo DaVinci. However, a letter from a close friend about the transaction reveals Donna Laura was aware that Morelli had not attributed the painting as a Leonardo Da Vinci (see Lady Layard's Letter). Donna Laura died at Mezzarratta on September 12, 1915. Notable Family Members Family members of historical significance. Descended from Sir John Acton, married to Marco Minghetti (two-time Italian Prime Minister) Abbreviated Biography a sentence or two which will end up in the pop up box in the reader When Morelli died in 1891, she inherited the 'Donna Laura Minghetti Leonardo.' In 1898 the work was sold to Theodore Davis as an authentic Leonardo DaVinci. However, a letter from a close friend about the transaction reveals Donna Laura was aware that Morelli had not attributed the painting as a Leonardo Da Vinci (see Lady Layard's Letter). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minghetti, Donna Laura Source A related resource from which the described resource is derived Seybold, Dietrich. "Circle of Morelli or The Three Lives of Donna Laura Minghetti - a Visual Biography." Microstory of Art, 4 Dec. 2015. Web. Accessed March 2016. http://www.seybold.ch/Dietrich/Spotlight5CircleOfMorelliOrTheThreeLivesOfDonnaLauraMinghetti Description An account of the resource Italian socialite and wife of two-time Prime Minister, Marco Minghetti. She held the painting in her famous Roman Salon for her daughter, Maria. Minghetti allowed the painting to be sold to American millionaire turned excavator turned art collector, Theodore Davis, as an authentic Leonardo. However, a letter from a close friend about the transaction reveals Donna Laura was aware that Morelli had not attributed the painting as a Leonardo Da Vinci (see Lady Layard's Letter). Type The nature or genre of the resource Biography http://www.emmabandrews.org/project/files/original/4a117cbf2fbf62edc3c1381d7b562d91.jpeg 1c9017efe6854ac9f77f0d1d96b72760 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Person An Individual Birth Date format - 1882-12-13 February 2, 1816 Birthplace Verona, Italy Death Date format - 1882-12-13 February 28, 1891 Occupation Italian art connoisseur Bibliography List publications WRITTEN by the individual first. List publications ABOUT the individual after those WRITTEN by him/her. For example: Ayrton, E. The XIth Dynasty Temple at Deir el-Bahari Ayrton, E. The Pre-Dynastic Cemetery at El Mahasna Hall, H.R. "Edward Ayrton,", London: Egypt Exploration Society, 1915, accessed May 29th 2015, print Dawson, Warren R. Who Was Who in Egyptology, 1972. Print "Morelli, Giovanni [Lorenzo]." Dictionary of Art Historians. Dictionary of Art Historians, n.d. Web. Accessed March 2016. https://dictionaryofarthistorians.org/morellig.htm Seybold, Dietrich. "The Giovanni Morelli Monograph." Microstory of Art, 13 Feb. 2016. Web. Accessed March 2016. http://www.seybold.ch/Dietrich/TheGiovanniMorelliMonograph Biographical Text Born to a protestant family, Giovanni Morelli studied medicine at the universities of Munich and Erlangen because Italy had banned protestants from universities. Once graduated, he never practiced medicine but began his career in art under a pseudonym in a mock study of iconography (analysis of subject matter and its meaning in the visual arts). Until 1840, Morelli lived in Paris, where he gave up science for good. He then returned to Italy, serving in the Risorgimento ("Rising Again" - political movement for Italian unification which produced the Kingdom of Italy in 1861). He became Senator of the unified Italy in 1873, and went on to chair many commissions of art. Most importantly, Morelli helped enact legislation which forbade export of art treasures from Italy, and which standardized conservation practices of museums. He played an instrumental role in saving many masterpieces for Italy. Morelli didn't publish the first work concerning his methodology of art, "Italian Masters in German Galleries," until 1876 as a series of articles and then as a book in 1880. He explored this "Morellian Method" again in his treatise, "Italian Painters: Critical Studies Of Their Work," which used the perspectives of two famed art scholars to speculate on the authenticity of the attribution of many works of art. Essentially, he criticized each work by explaining why it could be correctly attributed (credited to an era, place, artist, etc.) and why it could be a fake or falsely attributed, without ever making any real accusations. The "Morellian Method" supports the idea that the key to correctly attributing a painting lies in the homology of the works of the era/place/artist to which it should be attributed. More specfically, the idea that "all painters, however great, tend to fall back on a formula for rendering such details as the ear or fingernails, and. . . these minor details are therefore the most characteristic parts of a picture and the surest guide to attribution" (Giovanni Morelli). The principal follower of this method, Bernard Berenson, helped Morelli correct hundreds of false attributions. Morelli's influence opened doors for Berenson that enabled him to establish his career. Morelli's work influenced many other art historians, including Jean Paul Richter, who went on to work for Theodore Davis. Morelli was the first known owner of the mysterious 'Donna Laura Minghetti Leonardo.' In his will, he left the painting to Donna Laura Minghetti, the widow of two-time Italian Prime Minister, Marco Minghetti, who Morelli connoisseursed for, befriended, and guided in artistic scholarship. He referred to Donna Laura when writing to a friend as "good and wholly lovable – but, unfortunately, like all the women equipped with such excellent qualities, essa è tiranna. And I am too old for allowing someone tyrannise me, since I cannot be hoping anymore for efficient revolts with a happy result. Thus I prefer to see her and to stay with her only two or three times a year – with all the friendship and sympathy that I have for her" (Seybold). Abbreviated Biography a sentence or two which will end up in the pop up box in the reader Morelli was the first known owner of the mysterious 'Donna Laura Minghetti Leonardo.' In his will, he left the painting to Donna Laura Minghetti, the widow of a two-time Italian Prime Minister that Morelli likely met and befriended while serving as Senator of the Italian state. He referred to Donna Laura when writing to a friend as "good and wholly lovable – but, unfortunately, like all the women equipped with such excellent qualities, essa è tiranna. And I am too old for allowing someone tyrannise me, since I cannot be hoping anymore for efficient revolts with a happy result. Thus I prefer to see her and to stay with her only two or three times a year – with all the friendship and sympathy that I have for her" (Seybold). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morelli, Giovanni Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived "Giovanni Morelli." Encyclopedia Britannica. Editors of Encyclopedia Britannica, n.d. Web. Accesssed March 2016. https://dictionaryofarthistorians.org/morellig.htm Description An account of the resource Renowned artistic scholar and the first known owner of the 'Donna Laura Minghetti Leonardo,' he granted it to Donna Laura Minghetti, the wife of a close friend, in his will. http://www.emmabandrews.org/project/files/original/7cb125aa274c6e345f7153b9147fa05a c0291e49a802746860a082b699776aac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Painting Birth Date format - 1882-12-13 High Renaissance (late 1400s - early 1500s) Birthplace Italy (likely Florence or Milan) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Donna Laura Minghetti Leonardo' Description An account of the resource A painting once believed to be a Leonardo DaVinci, that was likely created by one of his students. Creator An entity primarily responsible for making the resource Claire Summa Date A point or period of time associated with an event in the lifecycle of the resource High Renaissance - Italy (late 1400s - early 1500s) Type The nature or genre of the resource Painting Source A related resource from which the described resource is derived Seybold, Dietrich. "The Mysterious Donna Laura Minghetti Leonardo." Microstory of Art, 17 Feb. 2016. Web. Date Accessed: March 2016. http://www.emmabandrews.org/project/files/original/a6305257c5c40c528b1cce809780c34d.png 3f459920362eda3929305debc71c8210 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Person An Individual Birth Date format - 1882-12-13 1847 Birthplace Dreden, Germany Death Date format - 1882-12-13 1937 Occupation Dealer and historian of Italian art, with a focus on Leonardo Da Vinci. Notable Family Members Family members of historical significance. His father was the distinguished Lutheran clergyman, Karl Edmund Richter. Biographical Text Because his father was a respected clergyman, Richter started off in theology, traveling through Europe and the East frequently as a student. This led to a job writing for Karl Baedecker, who published infamously non-PC travel guides. He met Morelli in 1876, who heavily influenced his career and provided him with letters of introduction when he moved to London in 1877. He first published in 1878, and then turned his focus to the Italian Renaissance (following Morelli's Method). In 1883 he published "Literary Works of Leonardo," a scholarly examination of his notebooks and other works. Richter is responsible for introducing the young American art historian, Bernard Berenson, another Morelli disciple. Starting in April of 1898, Richter began meeting with Theodore and Emma for lunch and other social occasions, to discuss art and eventually the 'Donna Laura Minghetti Leonardo.' He and Theodore physically acquired the painting on April 20th, 1898. Ritcher continued life as a scholar of Leonardo, publishing more books on art. He was a very successful collector and dealer. His personal collecting philosophy was to only own one work of a particular artist, and then sell that work if he acquired a better work from that artist. A businessman at heart, he often chose personal monetary gain (dealing) over artistic scholarship and preservation (donation to a museum); this led to a controversial reputation for most of his career. His last book, co-written with his daughter, another art historian, was published just after his death in Lugano, Switzerland. Bibliography List publications WRITTEN by the individual first. List publications ABOUT the individual after those WRITTEN by him/her. For example: Ayrton, E. The XIth Dynasty Temple at Deir el-Bahari Ayrton, E. The Pre-Dynastic Cemetery at El Mahasna Hall, H.R. "Edward Ayrton,", London: Egypt Exploration Society, 1915, accessed May 29th 2015, print Dawson, Warren R. Who Was Who in Egyptology, 1972. Print Seybold, Dietrich. "The Mysterious 'Donna Laura Minghetti Leonardo': Re-opening the Case." Microstory of Art, 17 Feb. 2016. Web. Date Accessed: March 2016. Andrews, Emma B.Journal on the Bedawin, Volume 5 : 1897-1898. Abbreviated Biography a sentence or two which will end up in the pop up box in the reader Dealer and historian of Italian art who served as the middle-man between Donna Laura Minghetti and Theodore Davis in the acquisition of the 'Donna Laura Minghetti Leonardo.' As an academic, he focused his studies on Leonardo Da Vinci. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richter, Jean Paul Description An account of the resource Dealer and historian of Italian art who served as the middle-man between Donna Laura Minghetti and Theodore Davis in the acquisition of the 'Donna Laura Minghetti Leonardo.' As an academic, he focused his studies on Leonardo Da Vinci. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived "Ritcher, Jean Paul." Dictionary of the Art Historians. Dictionary of Art Historians, n.d. Web. Date Accessed: April 2016. http://www.emmabandrews.org/project/files/original/39ec81d45848acfcd98ae583cd4e3242.png 2cc3a79fac73fbe5aa410039b69d25ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lady Enid Layard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document. 22 February 1899 — Rome Donna Laura Minghetti told me yesterday the whole story of the sale of the sol disant picture by Leonardo da Vinci given her by Morelli. As she had admired the picture in his rooms & he had given only a few francs for it at Florence & knew that altho’ a pretty thing it was not by Leonardo he had given it to Donna Laura. She had given it to her daughter Mme de Bülow but it remained with Donna Laura here. One day Mr J. P. Richter a pupil of Morelli’s & now a picture dealer of not very good repute asked Da Laura’s permission to take a friend to see her pictures– This she gave & a day or two after Richter wrote to say that his friend (an American) offered her 5,000 francs for the “Leonardo.” She telegraphed to ask her daughter & they took the offer—Richter having stipulated for his percentage. Richter must have known as well as Mme Minghetti what had been Morelli’s real opinion of the picture, but he did not scruple to sell it to the American for this enormous sum– Henry always said that when once a man took to picture dealing or to antiquaries he was morally ruined. Richter had behaved so dishonestly to the Trustees of the Nat: Gallery formerly that they (Henry & Sir Wm Gregory) & Sir F. Burton had long ago broken off relations with him. I used to tell Morelli in former days jokingly that he was made use of by a German who picked his brain for his own advantage. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Letter Biographical Text 22 February 1899 — Rome Donna Laura Minghetti told me yesterday the whole story of the sale of the sol disant picture by Leonardo da Vinci given her by Morelli. As she had admired the picture in his rooms & he had given only a few francs for it at Florence & knew that altho’ a pretty thing it was not by Leonardo he had given it to Donna Laura. She had given it to her daughter Mme de Bülow but it remained with Donna Laura here. One day Mr J. P. Richter a pupil of Morelli’s & now a picture dealer of not very good repute asked Da Laura’s permission to take a friend to see her pictures– This she gave & a day or two after Richter wrote to say that his friend (an American) offered her 5,000 francs for the “Leonardo.” She telegraphed to ask her daughter & they took the offer—Richter having stipulated for his percentage. Richter must have known as well as Mme Minghetti what had been Morelli’s real opinion of the picture, but he did not scruple to sell it to the American for this enormous sum– Henry always said that when once a man took to picture dealing or to antiquaries he was morally ruined. Richter had behaved so dishonestly to the Trustees of the Nat: Gallery formerly that they (Henry & Sir Wm Gregory) & Sir F. Burton had long ago broken off relations with him. I used to tell Morelli in former days jokingly that he was made use of by a German who picked his brain for his own advantage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lady Layard's Letter Description An account of the resource A letter from Lady Layard, a close friend of Donna Laura Minghetti, who along with her husband was another client of Giovanni Morelli. The letter reveals Donna's knowledge of the painting's authenticity. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived "Lady Layard's Journal." The Brownings: A Research Guide. The Armstrong Browning Library of Baylor University, n.d. Web. Date Accessed: April 2016. Publisher An entity responsible for making the resource available Baylor University Date A point or period of time associated with an event in the lifecycle of the resource February 22, 1899 Language A language of the resource English Type The nature or genre of the resource Letter http://www.emmabandrews.org/project/files/original/d434cff05e826284015e42cc761380f0.jpg 32fbb4d11b62ad1854d4fc3255e25ccd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Person An Individual Birth Date format - 1882-12-13 1865 Birthplace Butrimonys, Vilna, Lithuania Death Date format - 1882-12-13 1959 Occupation Historian and connoisseur of Italian Renaissance art Biographical Text Berenson majored in Literature and learned several languages at Harvard University. This shaped his career as an art historian, critic, and collector in Italy. He first published work in art history in 1893. He published a manifesto of Morelli's Method in 1895, and published an essay detailing his own method in the same year. Berenson introduced the 'Donna Laura Minghetti Leonardo' to artistic literature in 1896, praising it through implying it were comparable to the 'Mona Lisa.' When Davis and Andrews took the painting to London, its attribution began to be questioned. Berenson supported the new attribution to a Tuscan painter, Angiolo Tricca, who had died in 1884. Berenson did a complete 180 degree turn on the attribution of this painting, first claiming that is was Da Vinci's greatest work next to the universally revered 'Mona Lisa,' then fully backing the claim that the painting was a forgery. This lost Berenson quite a bit of credibility in art connoisseurship, nearly costing him his career. He would later officially declare in one of his books that after much research and deliberation, he no longer believed the work to be a 'Leonardo.' However, there may be a reasonable explanation for this. According to Dietrich Seybold, Ph.D., an (art) history researcher, Berenson may have been just following what he thought the leading art authorities believed about the work. Seybold asserts that Morelli calling the painting a 'Leonardo' was to play a trick on his followers; Donna Laura Minghetti knew about it, and Jean Paul Richter was taken in by it at first. Richter mentioned the work was attributed to Leonardo eleven years before Berenson did, thus Berenson followed what Richter had claimed what Morelli believed: that the painting was an authentic Leonardo Da Vinci. Berenson continued to publish and collect art throughout his life, and died in Villa I Tatti, Florence, Italy, in 1959, Bibliography List publications WRITTEN by the individual first. List publications ABOUT the individual after those WRITTEN by him/her. For example: Ayrton, E. The XIth Dynasty Temple at Deir el-Bahari Ayrton, E. The Pre-Dynastic Cemetery at El Mahasna Hall, H.R. "Edward Ayrton,", London: Egypt Exploration Society, 1915, accessed May 29th 2015, print Dawson, Warren R. Who Was Who in Egyptology, 1972. Print Seybold, Dietrich. "The Mysterious 'Donna Laura Minghetti Leonardo': Re-opening the Case." Microstory of Art, 17 Feb. 2016. Web. Date Accessed: March 2016. Abbreviated Biography a sentence or two which will end up in the pop up box in the reader An art historian and connoisseur who was Giovani Morelli's chief disciple. He attributed the 'Donna Laura Minghetti Leonardo' to Leonardo Da Vinci, believing that Morelli had unofficially done so prior to his death. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Berenson, Bernard. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived "Bernard Berenson." The Harvard University Center for Italian Renaissance Studies, n.d. Web. Date Accessed: April 2016. Description An account of the resource An art historian and connoisseur who was Giovani Morelli's chief disciple. He attributed the 'Donna Laura Minghetti Leonardo' to Leonardo Da Vinci, believing that Morelli had unofficially done so prior to his death. Decades later, he declared in one of his books that he no longer believed the painting was the work of Leonardo Da Vinci. http://www.emmabandrews.org/project/files/original/5b1eec3a245400d75c537caa192abe82.jpg 6e19b81b84ff31b6a3d01027443d8a29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Person An Individual Birth Date format - 1882-12-13 November 10, 1924 Birthplace Cuyahoga, Ohio Death Date format - 1882-12-13 November 27, 1989 Occupation Unknown Biographical Text The great-great grandnephew of Emma B. Andrews, he was the great-great grandson of her oldest sister, Eveline Buttles. His parents divorced before he was two, and both were reluctant to take him with them. Emma's nieces, Jeanette "Nettie" Buttles and Mary (Mamie) Buttles, took him with them to Italy; they moved to Florence in 1896 for the purpose of studying and painting. Allen had a gift for languages, and enlisted in WWII in the Navy when he was 17. He served as the captain's interpreter when they were in port. On D-Day, Allen piloted an LST. When Mary passed in 1956, Allen smuggled the 'Donna Laura Minghetti Leonardo' out of Italy, as the executer of her estate. The painting was allegedly too large to ship to the US, and was hidden behind the backseat of the vehicle Allen drove from Italy to Switzerland. When Bernard Berenson declared in one of his books that the painting was not actually a Leonardo Da Vinci, Allen had the painting x-rayed at the University of Zurich and the Metropolitan Museum of Art. This revealed that there was no sketch under the painting, which suggested that it was started by Leonardo but finished by a student. Hence, the painting is now deemed to be a product of the "school of Leonardo.' While born in Ohio, his close relationship with Nettie and especially Mary Buttles reveals he spent quite a lot of time in Florence, where she lived. Allen got married in Florence in May of 1948, to Eleanor Louise Newton. They later divorced in June of 1981 in Leon Florida, where he died. Allen is buried with Mary, her sister Nettie, and their mother, Mary Ridgeway, in the Allori Cemetery in Florence. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Whaling Allen Description An account of the resource The great grandnephew of Mary Buttles, who passed in 1956. Allen smuggled the 'Donna Laura Minghetti Leonardo' out of Italy, as the executer of Buttles' estate. When Bernard Berenson declared in one of his books that the painting was not actually a Leonardo Da Vinci, Allen had the painting x-rayed, which revealed that the painting is a product of the "school of Leonardo,' started by him but finished by a student. Creator An entity primarily responsible for making the resource Claire Summa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <iframe src="https://s3.amazonaws.com/uploads.knightlab.com/storymapjs/287f42d1567af25a015ee1f0512bb59d/the-mystery-behind-the-donna-laura-minghetti-leonardo/index.html" frameborder="0" width="100%" height="800"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource StoryMap Creator An entity primarily responsible for making the resource Claire Summa http://www.emmabandrews.org/project/files/original/b3bc1c96ebb1af47699eaa5c4e718e8d.png 080251eb4602d856eb243cb05d995c58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thumbnail Leonardo http://www.emmabandrews.org/project/files/original/14769d02df2dfa50ec2127aa1b14ae49.png c787612a67448ac1541de30e18696bec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document. Wednesday, April 13. To the Vatican Pinacotheca - Mrs. House, Mr. and Mrs. Elliot to dinner. Dr. Richter called - interesting. Thursday, April 14. To various churches this morning - to a reception at Mrs. Elliotts in the afternoon. Dr. Bull to dine with us. Dr. Richter came Friday, April 15. To the Doria Pamfili this morning and then to the Lateren. In the afternoon drove in the beautiful Doria Pamfili gardens. Saturday, April 16. Rain all day and in the house. Mr. Ayer called. Sunday, April 17. Theodore and I drove out on the Appian way this morning - air deliciously warm and soft - but the wind so high and grew so violent we had to have the top of the carriage up - beautiful storm effects on that wide Campagna, with the tops of the Mts. white with snow. Mrs. Norman and Mabel came to dine. Monday, April 18. Theodore and I have been nosing about in the various shops of an old man who deals in frames in the Via Gergoriana. There were such beauties, it was hard to decide. Chose one of the best for a mirror to be placed in the hall over the hat table. Dr. Richter came to lunch - conversation about Leonardo, Boticelli, and other artists, and discussion of various pictures. Then we drove wwith them to visit by appointment the house of Donna Laura Minghetti, to see the famous leonardo da Vinci. A charming house, and an even more charming and hospitable hostess - and the beautiful picture was a sensation indeed. The Elliots called this evening. Tuesday, April 19. With the old frame man in Via Gregoriana this morning again and a charming drive, Theodore, Monty, Anderson and I had in the Doria Pamphili gardens this afternoon. They were not open to the public, but for some reason or other we were allowed to enter, and had all the drives and beautiful avenues to ourselves. Mrs. Ayer, the Normans to tea - and Dr. Richter to dinner - and we do not go to Florence tomorrow but the next day - for Theodore is trying to get a precious picture. Wednesday, April 20. Miserable weather. Poked into the old frame shop this morning with Theodore, and out in the rain for half an hour with Nettie though I did not leave the carriage. Dr. Richter to lunch - and then a very exciting afternoon - he and Theodore went off at 3 o’clock in a closed carriage to Donna Laura Minghetti’s to actually bring home in great secrecy, into our own possession, the incomparable Leonardo, to which we thought it such a privilege only a few days since, to be allowed to see. It is hard to realize that we have actually acquired it, it seems almost as if we have bought the Vatican or St. Peters! If we can only get it out of italy without arousing suspicion! Dr. R. to dinner. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma's diary: The Acquisition (April 13 - 20, 1898) Description An account of the resource Emma's diary entries which detail the events that lead to the transaction. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 5 : 1898-1899. http://www.emmabandrews.org/project/files/original/fc5c3f26f1dc977eaa9f3c3f4285ecca.png e1c7fc69aa1a2408285627c4ffbac4a5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document. Lucerne - April 30. Hotel National. A perfect day for that incomparable journey over the Alps from Milan here. We seem to have left all the rain behind us. Arrived at 7 o’clock leaving Milan at 12:30 and found delightful rooms overlooking the lake. Sunday, May 1st. The brilliant sunshine looked into my room this morning and the views across the lake were glorious with the snow capped mountains, and the green hills enclosing the heavenly blue lake. Drove for 2 hours this morning among the hills and around the lake. All the country is full of blossoming cherry trees - meadows gay with flowers - the hum of bees and the song of birds. I heard the nightingales at 4 o’clock this morning. Wrote letters this afternoon and we had tea out on our balcony. Magnificent sunset effects - rosy snow mts. and clouds - reflected in the blue lake! Monday, May 2. Another fine day - walking, driving and hunting over Bossards antiquity shop. Such a delight to think that next month at this time we ought to be at home - off tomorrow early for Paris. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma's diary: A Scenic Escape (April 30 - May 2, 1898) Subject The topic of the resource Claire Summa Description An account of the resource Emma's diary entries which detail her and Theodore's journey through Switzerland to France. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 5 : 1898 - 1899. http://www.emmabandrews.org/project/files/original/983a9626929f8304265e5c4479f95e78.png 3dabb16d140ec7c357912f382752db5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document. Hotel Cavour. Milan. April 29. We have made a great stride on our blessed way home to Toby and the Reef. Was having been declared, Theodore naturally began to feel uneasy, and to my great satisfaction decided to give up Venice, and go home on the Kaiser der Grosse the 25 May. Sent Monty over to Venice for 3 days there, and picked him up at Bologne yesterday as we came through. I lost all our short stay of a week at Florence - as I took to my bed at once with a sharp attack of influenza and did not leave it until the day we came away. Dr. Baldwin in attendance twice a day. The cold still hangs on - and I feel really shattered. Anderson came from Rome with the Normans on Monday - and it was delightful to have him again. Berenson and mrs. Castello to dine the night before we left and I got up for the dinner. I was furious that I could not go with Theodore to lunch with them, and see their pretty houses, which Theodore raved about. It rained all the time we were in Florence, and is still at it, The weather very heavy and discouraging. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma's diary: Italian Tour (April 29, 1898) Description An account of the resource Emma's diary entries which detail her and Theodore's journey through Florence and Milan immediately following the painting's acquisition. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 5 : 1898 - 1899. http://www.emmabandrews.org/project/files/original/de9439ae652f154c82ce67598f66b2cd.png 1119b3c052f3fd360a6a7d42afb087da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document. Hotel Westminster. Paris, Wednesday, May. 4. We left Lucerne yesterday at 7:30 A.M. in clouds and rain, which continued all day - and arrived here at 6 o’clock. Came to our old quarters - most homelike - with the smiling familiar faces of the Concierge and his wife - Emil the waiter, and the kind, deprecating femme de chambre - news of the successful battle at Manilla, and the triumph of Commodore Dewey. Poor Spain - I am full of sympathy for the brave Queen Christina who has done all she could to rule and direct the troublesome country. Today it has been storming violently, with bursts of alternate sunshine. Mary and I were settling ourselves this morning - and began with gowns and shopping this afternoon. She has gone to the Circus with Theodore and Monty this evening - and I am keeping our cheerful salon company, with a bright wood fire. Paris May 14. Since my last entry there has been nothing to write, except curses - deep and loud, against the weather. It has rained every day, persistently and continuously. I have not been out since the 4th, until yesterday, when I drove to Paquins a few doors off, and back. Theodore has had a great success with his Leonardo. She was invited to the Louvre, and compared with the Mona Lisa and the Madonna of the rocks. Braun has photographed her magnificently - and Theodore has given him the privilege of selling the photographs. Mary goes back home this morning. Jones and Amilie take her to the train, she has a compartment in the sleeping car which she does not leave until she reaches Pisa tomorrow night at 11 o’clock - where Nettie meets her, and spends the night, and the have most of the day together there before going back to Florence. We go at 11 o’clock tomorrow via Calais to London. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma's diary: The Glory Tour (May 4 - 14, 1898) Description An account of the resource Emma's diary entries which detail her and Theodore's stay in Paris, where they show off the 'Donna Laura Minghetti Leonardo' at the Louvre. Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 5 : 1898 - 1899. http://www.emmabandrews.org/project/files/original/a5956aaa94683797bc81843a7fee34b4.png 1345bb3df5c097ead7f7775cf8d94870 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document. Hotel Bristol. London. May 17th. We came over very comfortably from Paris on Sunday - in spite of the rain. Fortunately it held up as we were getting on and off the boat, or it would have gone hard with me, as there is no protection whatever in the way of a roof. I had a nice little cabin, and laid down and slept most of the way - and the sea was smooth. Found our old quarters at this most comfortable of all hotels - and the weather has been good. Shopped a little and drove in the Park yesterday and today. This afternoon went with Theodore around to the Burlington Arts Club to see the collection of Milanese paintings - quite charming and interesting. Found the photograph of our Leonardo there opposite the Mona Lisa. We have had visits from the Farrars, Denbighs, Mr. Rathbone and Fielding - all the rest off to the theatre, as they were last night. I do not risk the exposure. Mr. Emmons here today - they sail tomorrow on the Teutonic. Sunday, May 22. The week has been rather quiet. I have had not dining out, no theatres or operas - as I do not go out in the evening. Theodore has been busy doing all of these things - and I scarcely see him, except at breakfast. The weather has been bad - today it is mending. I have had almost a daily drive in the Park - and yesterday I lunched with Lady Denbigh - and met some pleasant people. Tonight Theodore dines with Lord Denbigh - a man’s dinner for Lady D. has gone down to Nuneham to her family of 8 children. Fielding came early yesterday, and he and Theodore knocked about to galleries and shops in the morning, and he came to lunch and went with us afterward to the Military Tournament; came back to tea - and went home and dressed, came back and ined, and he and Theodore had an old fashioned game of chess. I have just got home from a solitary drive in the Part - having first gone to tea with Miss Farrer. The Park lovely, backward as is the season, the trees are well out now, and the thorns beginning to show their flowers. Dr. Bridgman called after lunch and made me a visit - telling me all about our war! how the Spaniards had a disciplined navy, and we had not - how much cleverer and quicker they were than we - what an unrighteous war it was - but that in the end we must win, for they (England) intended standing by us! Tuesday, May 24. Our last evening in London - and these two last days have been very busy - between friends and affairs. The weather still uncertain - we made the acquaintance of Mr. Sydney Colvin this afternoon. He came to see the Leonardo - and I talked a little with him about Stevenson. He looks rather a hard, dry fellow. Mr. Rathbone and Farrar here too. Last agonies of packing going on in all our rooms. Tuesday, June 1st. Holland House. Just one week ago tonight I made the last entry - and it is hard to realize - and now we are here again, after a very comfortable and monotonous voyage. The Kaiser Wilhelm der Grosse is the finest ship I have ever sailed on. Such comfort, luxury, cleanliness - good service, and the best and most profuse table I ever saw. Mr. Rathbone and Fielding were at the station to say goodbye, the morning we left London. A quick and pleasant ride to Southhampton, and as we ran along the big dock, with the Kaiser lying close to it, she looked enormous from the train. On three consecutive days we made 560 miles - and the voyage would have made a record, had we not 2 days before reaching New York, broke one or the blades of one of the screws. However, we were in our slip by 10:30 this morning. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma's diary: Glory Under Question (May 17 - June 1, 1898) Description An account of the resource Emma's diary entries which detail the end of their voyage and stop in London, where they continue to show off their 'Leonardo.' Creator An entity primarily responsible for making the resource Claire Summa Source A related resource from which the described resource is derived Andrews, Emma B.Journal on the Bedawin, Volume 5 : 1898 - 1899. http://www.emmabandrews.org/project/files/original/fdee3459280672ef80c01416a90a1e36.png b322dc97b47a358510b0b740d40b17af http://www.emmabandrews.org/project/files/original/e7f68ff21a6913609b8631926c57e815.png ced4c6bbbf109eb302cc14f7957e3c91 http://www.emmabandrews.org/project/files/original/430877164176ff5699634b834bf39b72.png c7011425dfd60dd98179c27e5c4407c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Website Assets Person An Individual Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Social Media Links http://www.emmabandrews.org/project/files/original/35124865a943161413f0b5abe16ab7b1.png ec1c131cb4656aa697abd80b40c12333 http://www.emmabandrews.org/project/files/original/9de090726a76140d91b2166d3ca0c8b7.jpg f6ed06f50603e00a7380ee687b269797 http://www.emmabandrews.org/project/files/original/c880eb6db6b6ae32d9cf48e751e11f63.jpg 47909d2f2eea5d24da77e4652751be27 http://www.emmabandrews.org/project/files/original/821ce75a8a9c11a8048f898ab3d02d0f.png 1200596291ab37f2560e36409fd411c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource Griffith Thumbnail Type The nature or genre of the resource Still Image http://www.emmabandrews.org/project/files/original/459d8d830f48e87fc0e52cce236dce1e.png eae9aa73e85a56b314af136c909c22c9 Person An Individual Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource JLS Thumbnail Type The nature or genre of the resource Still Image http://www.emmabandrews.org/project/files/original/a55f254f4e92e75734c824f0701eb6f0.png 30c6582aa5f38c5c83aa1f853bab7cf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Document (Book, Letter, Note etc) A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Berenson's Letter to the Editor Description An account of the resource A letter to the editor of "The Nation" from Berenson, which included a note from Davis relinquishing Berenson of all responisibility in the purchase of the so-called 'Leonardo.' Date A point or period of time associated with an event in the lifecycle of the resource March 10, 1904 http://www.emmabandrews.org/project/files/original/d7ddc3652adf167cc9390585e5417aab.jpg 58d0b8cd0ff7e7acc1afd418b0761eef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 'Donna Laura Minghetti Leonardo' Description An account of the resource Items included in the 'Portrait of a Girl' exhibit Person An Individual Biographical Text Claire Summa is a freshman at the University of Washington. She plans to major in Informatics and minor in Geography, and hopes to apply this to epidemiology and global health. She is from Gig Harbor, Washington. Claire loves to read, travel, and learn about other time periods and societies. This is her first year as a research intern on the Emma B. Andrews Diary Project. She has been a key team member completing transcriptions and historical research. Claire has taken the 5-credit 'Introduction to Digital Humanities' course offered through the University of Washington's Department of Near Eastern Languages and Civilization and taught by Project Director Sarah Ketchley. Claire says, "I like working on the project because I've learned valuable new skills, and because I love viewing Emma herself as a character study. She was a fascinating woman; I learn something new about her, and the time she lived in, every time I open her diary. The preservation of history and sharing that history with others through digitization and/or curatorial work is something I have always been interested in, and I am lucky to be a part of it on this project." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Claire Summa http://www.emmabandrews.org/project/files/original/5f37d73862c2cfd0d908c2f7cbec271e.jpg bebd3f5b887523e4141614de565f9505 Event A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration. Event Type Undergraduate Research Symposium, Mary Gates Hall, University of Washington. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Undergraduate Research Symposium 2016 Description An account of the resource The Annual Undergraduate Research Symposium is a chance for undergraduates to present what they have learned through their research experiences to a larger audience. The Symposium also provides a forum for students, faculty, and the community to discuss cutting edge research topics and to examine the connection between research and education. The Symposium includes poster and presentation sessions by students from all academic disciplines and all three UW campuses, plus invited guests. Source A related resource from which the described resource is derived https://www.washington.edu/undergradresearch/symposium/ Date A point or period of time associated with an event in the lifecycle of the resource Friday May 20th 2016 http://www.emmabandrews.org/project/files/original/c2202afc0978a86cdb95c954b657eb6c.png 1e84249f2d55a2bb543789c38ef4d04d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Website Assets Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mohammed Mohassib Thumbnail http://www.emmabandrews.org/project/files/original/e3a9a214a10ddaad096409a5a976493d.png 3fb4f80b6e907f05959ce4a5954aaf82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Website Assets Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource intern presentations thumbnail http://www.emmabandrews.org/project/files/original/46e410af8448dc82c0cb8c54323b4986.png 28560c0902e396025684372f1b826336 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Website Assets Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theodore M. 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Title A name given to the resource 2014 Undergraduate Research Symposium Poster Creator An entity primarily responsible for making the resource Allison Skinner http://www.emmabandrews.org/project/files/original/4bcb5a6acf076fc20215b66b7d8fdab2.jpg e24d5ef7be5cc5b42cf7eea0a2ce0d7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Students and Education Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2015 McNair URP Poster http://www.emmabandrews.org/project/files/original/b4a7d561836d3f35926c8ff362e2ea4b.pdf 2687715ece00600149b9739a850213f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Students and Education Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Physical Dimensions The actual physical size of the original image. 40 x 32" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Emma B. Andrews Diary Project : Tracking the Mysterious Acquisition and Disappearance of 'the Donna Laura Minghetti Leonardo'